The Morlocks have been vanquished and the Eloi have become artists and craftsmen – kind of “brilliant hippies.” George has taught them with the benefit of “the three books” from the original 1960 movie. Stonehenge.įrom there, Rod proposes scenes that would show how the Eloi had progressed after George returned to the future and built a life with Weena. They demand proof of time travel! What will convince them? A photograph from the distant past! Maybe Henry VIII. “I believe in my friend.”īut the fuddy duddies don’t believe. “The property is not for sale,” Filby declares amid jeering, mustachioed audience members. ![]() The film would open with Filby giving a lecture to a “pompous scientific gathering of fuddy duddies.” He’s reading from the journal of his friend George, the Time Traveler, as he fights to preserve George’s house as an historic monument. Spoiler alert! That may actually be the end of the movie. What if, Rod muses, we duplicate but improve upon the Time Traveler’s return to the laboratory as depicted in “ Time Machine: The Journey Back”? But this time he would go earlier, to 1911, to talk to a newspaper friend and somehow trick Philby out of dying in World War I. Rod’s notes are fragmentary, but we can puzzle out a bit of the story. Well, Part 3 brings some of those ideas together, based on five pages of notes that were hand-written by Rod Taylor in the mid- to late-1990s. ![]() Remember in Part 1, there was an idea for a sequel to “The Time Machine” that featured going back in time to Atlantis?Īnd in Part 2, scripts were being developed that would have the Time Traveler rescue his friend Filby from perishing in World War I?
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